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She speaks to, and for, the body as eloquently as any American writer since Walt Whitman.
— American Theatre
 
 

Plays

  • In The Heart of America

  • One Flea Spare

  • The Inland Sea

  • Slaughter City

  • The Trestle at Pope Lick Creek

  • The Girl Who Fell Through a Hole in Her Jumper (with Bruce E. J. McLeod; licensed under the title The Girl Who Fell Through a Hole in Her Jumper in the United States)

  • The War Boys

  • Things of Dry Hours

  • Birdy (an adaptation of William Wharton's novel)

  • The Fever Chart: Three Visions of the Middle East

  • Twenty One Positions: A Cartographic Dream of the Middle East (co-written with Lisa Schlesinger and AbdelFattah Abu Srour)

  • The Hard Weather Boating Party

  • One Short Sleepe

  • And I and Silence

  • The Liquid Plain

  • Night is a Room

Anthologies

  • Inside/Outside: Six Plays from Palestine and the Diaspora

Poetry

  • To Dance A Stony Field (Peterloo Poets Press).

Films

Essays

  • Trump-ocalypse Now?

    American plunder didn’t begin with this administration. Our theatrical dissent must be grounded in a holistic critique of state violence:

  • Radical Vision and Form: A Conversation With Naomi Wallace

    For the author of ‘One Flea Spare’ and ‘Night Is a Room,’ the why of playwriting is vastly more important than the how. Still, she has some pointers about both.

  • Let the right one in: On resistance, hospitality and new writing for the American stage.

  • On Writing as Transgression: Teachers of young playwrights need to turn them into dangerous citizens.